Supporting democracy and human rights is one of the six principles of the Universal Declaration on Archives was adopted by the 36th Session of the General Conference of UNESCO on 10th November 2011. In acknowledging International Human Rights Day on the 10th of December each year, archives and their Galleries, Libraries, Museums (GLAM) colleagues have a professional obligation to […]

5 ¼ inch floppy disks from the Germaine Greer Archive

Lachlan Glanville, Assistant Archivist, Germaine Greer Archive Removable media such as floppy disks from the early days of PC ownership are now degrading rapidly and becoming increasingly difficult to access. Without swift action, years of unique records could easily become irrecoverable. Archivists at UMA have been collaborating with colleagues across the University such as Research Platforms, […]

Dr Rachael Weaver School of Culture and Communication, University of Melbourne I first became interested in the Australian writer William Hay ten years ago, when Ken Gelder and I re-published Hay’s 1921 story, ‘An Australian Rip Van Winkle,’ in our Anthology of Colonial Australian Gothic Fiction (2007). The tale is a delightfully strange one, about […]

"10 October: Anniversary Chinese Revolution", c1920s

Katherine Molyneux It is a photograph of an dusty street in an unnamed city. There are bicycles and a blurry power line. In the background is a low-rise building that might be a market. In the foreground – dominating the scene – is a ceremonial gate, which appears to be made of wood. It is […]

"Wesley college masters", 1926

Oscar T. Serquiña, Jr. A personal photograph collection may reveal the roots and routes of its collector’s life. While its primary function is to collate representations of objects, persons, and events, a collection may also lay bare more than what is visible to the eye. Such is the uncontainable paradox of archival materials, especially photos, […]

India photograph album, 1926

Nathan McCall Accompanying the photographs are captions written by Ms Porter. These captions present an insight into Ms Porter’s reactions to some of the people and places that she saw. Of particular interest are three photographs captioned. The first is an image of a bearded man with a Tilaka painted on his forehead, indicating that […]

"Outcastes", India photograph album, 1926

Alice Helme A picture says a thousand words. We all know that ubiquitous and often overused phrase. It is the cornerstone of art analysis and an art historical approach to dissecting pictorial representations. An image presents a visual narrative, conveying a story or meaning through the silent channels of sight. These narratives are fabled to […]

"Dom types", photograph album, 1926

Charmaine Toh Martyn Jolly has noted that photographic albums were both oral and visual records – their owners would show them to friends and family accompanied by an oral narrative.1 This oral element is of course now lost, but I raise it that we might recognize the importance of situating the individual elements of such […]

Una Porter, c1990

Una Porter’s photographic albums, held in the University of Melbourne’s archives, present labelled photographs narrating her journey through China, Hong Kong, Japan, and India during the 1920s. Porter undertook her tour on a philanthropic mission, documenting her travels and compiling two albums of the photos she took. The albums are particularly important in revealing information […]

Ainslee Meredith Winja Ulupna is an Aboriginal women’s residential drug and alcohol recovery house based in St Kilda. Established in 1976 through Australian Government investment in residential rehabilitation programs controlled by Aboriginal communities, as distinct from State rehabilitation units (Brady 2002), Winja Ulupna, or ‘women’s haven’, was also the first rehabilitation house in Australia specifically […]