Oscar T. Serquiña, Jr.
A personal photograph collection may reveal the roots and routes of its collector’s life. While its primary function is to collate representations of objects, persons, and events, a collection may also lay bare more than what is visible to the eye. Such is the uncontainable paradox of archival materials, especially photos, after all: on one hand, their enduring presence contracts, as well as suspends in motion, the humanity and entity they capture, but it also allows them to allude to the outside world to which they once belonged or continue to belong, on the other. Such is the case of Una Porter’s photo album in the University of Melbourne archives, which largely contains photographic souvenirs—ranging from portraits of individuals and groups to shots of sprawling landscapes and still lives, to documentations of ordinary objects and lush flora and fauna—from trips to countries such as China, Hong Kong, Japan, Egypt, and India. While some photos seem to have emerged from Porter’s missionary and philanthropic work, others look rather touristy, curious, and quotidian. Continue reading “On Una Porter’s Photograph Album”