Travels with a land seer

This week’s post has been inspired by fabulous travel destinations. Great cities, architecture and natural wonders feel all that more alluring as we indulge in escapism from our various states of pandemic lockdown.  Hence the ‘Travel guide to COVID-19 pocket exhibition’ has been put together for some isolation enjoyment. Roaming through pictures allows freedom of travel across both time and continents.

Travel guide to covid-19 pocket exhibition

The pocket exhibition travel destination led to a talented etcher, who despite the quality and vision of his prints, is not well known. Frederick Landseer Maur Griggs (1876-1938) went forth into his printmaking career by working on the illustrations for 13 volumes of the Highways and Byways, a series of English regional guides. Capturing the beauty of the English countryside and encountering romantic castles and abbeys saw his art blend the real and the imaginary.

Frederick Landseer Maur Griggs, St Botolph's Bridge, (1917), etching.
Frederick Landseer Maur Griggs, St Botolph’s Bridge, (1917), etching.

St Boltoph’s Bridge was the last of the 57 etchings he made and it depicts a Medieval styled scene, with two figures before a pilgrim’s chapel, all drawn by his imagination. The bridge is a fantasy but Griggs has named it after a real saint associated with East Anglia. Combining architecture, landscape and spirituality became a hallmark of his practice.

Griggs is also an artist associated with the etching revival, a phase reinvigorating the etching medium as an original art form. He printed his work on the Dover’s House Press which he set up in his own Cotswold home. He is considered an artist of the Romantic and Gothic aesthetic. A conservationist for buildings and towns, he is also a campaigner for all the dreamers.

Kerrianne Stone.

Curator, Prints.

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