Het Groote tafereel der dwaasheid or the ‘Great mirror of folly’ as it is known in English, is a unique Amsterdam publication complied around the year 1720, by an unnamed publisher, as a record of the aftermath of the West’s first stock market crash. No two volumes of this book are the same because different ephemeral items such as the prints, songs, poetry and broadsides which proliferated that year, were gathered up into bindings of varied arrangements and contents. The resulting book is something akin to a kaleidoscopic view of the financial misadventures of Europe in the 18th century.
Our future was ours, a lightjet print made in 2005 by Melbourne artist Darren Sylvester was condition reported this week in preparation for its loan to the National Gallery of Victoria. The work of art will be featured in the artist’s first large-scale solo exhibition titled Darren Sylvester: Carve a Future, Devour Everything, Become Something shown at Federation Square from the 1st of March until 30th June 2019.
The scene depicted in the print was staged and photographed inside the Baillieu Library. Our future was ours was purchased for the building in 2009 by the then University Librarian, Philip Kent, to mark the 50th anniversary of the Baillieu. It’s exhibition now in 2019 coincides perfectly with the Baillieu Library’s 60th anniversary.
The 2019 object-based learning program created a headline through the Popish plot pamphlets which amazed students in the summer intensive course: The History of News from Street Ballads to Social Media. The Popish plot pamphlets are a compilation of bound printed items such as speeches, broadsides, poems, plays and ballads which are titled after the first publication in the volume: A true narrative of the late design of the papists to charge their horrid plot upon the Protestants (1679). Many brutal wars and plots took place across Europe between the Catholics and the Protestants after the Protestant Reformation was set in motion in 1517. It is a powerful and sobering experience to behold these pamphlets which are a physical record of religiopolitical terrorism. Plots such as those in 17th century England including this scheme to assassinate the Protestant King Charles II, had in other instances such as in France, resulted in the St Bartholomew’s Day massacre in which thousands of Protestants were savagely slain. The Popish plot, however, was later revealed to be a fictitious conspiracy invented by the priest Titus Oates, but not before alleged ‘papist plotters’ had been grimly executed.
A post by Mary Henkel who is an undergraduate student at the University of Melbourne studying Art History.
Snapshot interview with Research Assistant, drawings intern, IMaC award recipient and Melbourne University student, Sakina Nomanbhoy.
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