Historical Records

The University of Melbourne Archives has recently digitised and made available online a unique collection of recordings of political advertisements from the 1949 federal election campaign. The recordings are from the ‘John Henry Austral’ advertising campaign run by the Liberal Party of Australia in 1948 and 1949. The 13 records comprise 22 episodes including the first five episodes broadcast. These records have undergone conservation treatment (see images above for a before and after shot of the episode ‘Low Down on Communism’) and have been digitised and are available on the University Library’s Digital Repository.

The John Henry Austral program was the centrepiece of the Liberal Party’s public relations campaign in the 1949 federal election. It was created by Solomon (Sim) Rubensohn of the Hansen-Rubensohn advertising firm, written by Percy (Pip) Cogger and the character of Austral was performed by Richard Matthews. The episodes began airing in February 1948 and continued through to the election in December 1949. There were around 200 episodes broadcast on over 80 commercial radio stations throughout Australia. The Liberal Party budgeted £2,300 per month for the broadcasts, making the campaign one of the most expensive in relative terms in Australian history.

The program is regarded as significant in the history of Australian political campaigns because of its centralised structure, its format and its apparent success. Each episode ran for 15 minutes, in the format of a dramatised radio serial. It featured the ‘neighbourly but knowledgeable’ John Henry Austral, who, through dramatisations and dialogues with friends and acquaintances, expounded the Liberal vision for Australia and the perceived failings of the federal Labor government. Many of the episodes focus on the threat of communism and Labor’s apparent weakness in the face of this threat, and its ‘socialist’ leanings. But other issues include high prices and rationing, women’s issues, bank nationalisation and socialisation, education, the role of the British Empire, the activities of youth, the black market and class antagonisms at work.

It is believed that the University of Melbourne Archives holds the only extant copies of the John Henry Austral recordings. There is a complete set of scripts of the program held at the State Library of NSW (call number Q329.2/15-16) and other information in the National Library of Australia’s RG Casey collection (NLA MS 6150). Because the program was dramatised, considerable use was made of accents, and music that are can only be appreciated in the recordings themselves.

Now these gramophone records have been digitised and the episodes available online, modern audiences can now hear and appreciate what is still regarded as a groundbreaking political campaign in Australian politics.


Library Week in the University Library

Above: Unknown artist, Britania, (19th century), etching, gift of Dr J. Orde Poynton 1959, Baillieu Library Print Collection.

As part of Library Week, beginning 21 May, come and join a tour behind the scenes of the Library and explore our great collections.

‘Empire Day with Special Collections’, Thursday 24 May, 3.00-4.00pm. Meeting point: Foyer of Reading Room, Level 3, Baillieu Library. The tour itinerary includes a behind the scenes look at the Reading Room, Gentleman’s Library and Print room; at each stop we’ll show you a few selected pieces relating to the past celebration of Empire Day.  The curator of Special Collections will lead this tour. Registrations essential.

To register and for details of all the tours offered during Library week, see http://imas.unimelb.edu.au/info_awareness_month_2012/library_tours_2012


Precious Prints

Josef Scharl, ‘Junges Paar’ (Young couple). Woodcut, c.1935, Marion and David Adams Collection, Baillieu Library Print Collection.

This print is from a collection of European expressionist prints donated to the Baillieu Library late last year by David Adams. The collection was begun by Adams, a retired engineer, and his late wife Professor Marion Adams in the early 1970s. Professor Adams, who was passionate about collecting, was an academic and was Dean of Arts at the University of Melbourne from 1988 to 1993.

The Baillieu Library received 79 prints and woodcuts, while the Ian Potter Museum of Art and the National Gallery of Victoria have also received precious items from the Adams’.

Mr Adams believes in the importance of donating such cultural treasures to institutions such as the University, giving the collections a good home that will know their value and protect them, as well as making them available for viewing and research to all.


Face to Face with Maria Cosway

Maria Cosway is an artist and a heroine. Maria Hadfield was born in Florence, where she escaped death by the hand of a maid who had already killed four of her siblings. Her mother later relocated the family to England and Maria married fellow artist Richard Cosway. Maria Cosway is one of the few women of her era to be recognised by the Royal Academy of Arts. She was encouraged by her predecessor and mentor Angelica Kauffman who is also represented in the Baillieu’s collection. Maria did not reach her full potential as an artist because her husband would not give permission for her to become a professional painter. Her self portrait was exhibited at the Royal Academy. It is now lost, but recorded through mezzotint. She is perhaps best known for her romantic relationship with American president Thomas Jefferson and she inspired his only known love letter.

The Maria Cosway mezzotint  is on display in Face to Face: portraits of artists on the ground floor of the Baillieu Library until 9 June 2012.


Historian Uses Archives to Research Baillieu Biography

Historian, Honorary Fellow and member of the Archives Advisory Board at the University of Melbourne, Peter Yule recently launched his biography William Laurence Baillieu: Father of Australian Industry (Hardie Grant, 2012) at the Baillieu Library. Much of Peter’s research was carried out at the University of Melbourne Archives (UMA). Some extracts of his speech at the launch of this book give a sense of what he found.

I recall Geoffrey Blainey saying several years ago that the life of WL Baillieu was the great unwritten biography in Australian history.  A biography was planned soon after his death in 1936, when his son Clive, the first Lord Baillieu, commissioned preliminary family history research, and work continued after the Second World War with the production of two manuscripts, but they were never published. Strangely, the main reason for the failure of the earlier attempts to write a biography was that there didn’t appear to be enough material to base it on. Before the 1970s virtually none of WL’s letters were available – leading one historian to conclude that he was possibly illiterate.  Since that time, however, a vast amount of archival material has become available, largely through the efforts of Darren Baillieu, his son David, the executors of Clive Baillieu’s estate, and Frank Strahan, the founder of the University of Melbourne Archives. There are now literally thousands of WL’s letters in the University Archives and more are held by various family members.  Far from being illiterate, WL was an eloquent and creative writer, with a wonderful turn of phrase and a fine sense of humour.

As I researched and wrote this book my appreciation for the extent of WL’s achievements steadily grew. The best brief summary I think is the one by Billy Hughes quoted on the back cover – Billy Hughes, by the way, began as a bitter enemy of WL and accused him of trading with the enemy in the First World War, but came to admire him greatly – Billy Hughes said of WL: ‘He was a dreamer of dreams and, with his genius for constructive enterprise, inexhaustible energy and courage, made them all come true’. No Australian – probably few people anywhere in the world – founded or developed so many new businesses in such a wide range of industries. WL – usually working with one or more of his many close associates – founded or built up many major mining and metals processing companies – most notably the Zinc Corporation (the ancestor of Rio Tinto), North Broken Hill, the lead smelter at Port Pirie, and the zinc works at Hobart; he was the driving force behind manufacturing companies such Metal Manufactures, Dunlop, British Australian Lead Manufacturers (the ancestor of Dulux paints) and APPM, which built the paper mill at Burnie in Tasmania; he and Theodore Fink built the Herald and Weekly Times into Australia’s major media company, and he and Monty Cohen formed Australia’s dominant brewery – Carlton & United. Before 1914 he drove the growth of Melbourne’s major electricity supply company and planned the development of the brown coal deposits of the La Trobe Valley. And there were many more, including, of course, EL&C Baillieu stockbrokers and the Ballieu Allard real estate business which WL started with his brothers. Most people who accumulate large fortunes do it in one industry – think of Frank Lowy in shopping centres, or Rupert Murdoch in media – but WL created successful businesses in many industries. He saw the big picture, planned for the long-term and genuinely saw nation building as a central part of his work. There has never been a business empire in Australia with anything like the breadth or diversity of the Collins House group, and none has made such an important contribution to Australia’s economic development.

Not many of us will be ready to tackle the next great unwritten biography of Australian history, but if you have a research idea of your own, big or small, get in touch with UMA to see how we can help.

Homecoming after World War I to Heathfield, Toorak, Melbourne. William Latham Baillieu with his son Clive Latham Baillieu and grandsons William and Robert posed with motorcycle, Mar 1920, Clive Latham Baillieu Papers, University of Melbourne Archives, 1982.0142, BWP/9706.

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