An Apothecary’s Annotations: Eighteenth-Century Medical Notes in a Seventeenth-Century Text

Since 2009, the rare books collection of the Brownless Medical Library has been housed by Special Collections in the Baillieu Library. This collection, which numbers 1,850 volumes, is strongest in eighteenth and nineteenth-century material. Some earlier texts are also held, such as sixteenth-century editions of the Galeni librorum quarta classis and La farmacopea o’antidotario dell’eccellentissimo Collegio de’ signori medici di Bergomo (both published in Venice, 1597) and a copy of the 1698 edition of John Browne’s Myographia nova, or, a graphical description of all the muscles in the humane body.[1]

Plate 87. Engraving of a human skeleton in an allegorical pose, likely influenced by Vesalius's De humani corporis fabrica (1543).
Plate 87. Engraving of a human skeleton in an allegorical pose, influenced by Vesalius’s De humani corporis fabrica (1543).

Another seventeenth-century anatomical text in the collection is William Cowper’s The anatomy of humane bodies, printed in Oxford for Samuel Smith and Benjamin Walford, printers to the Royal Society, and published the same year as Browne’s 1698 Myographia nova.[2] Cowper’s book is known for its folio-sized anatomical plates by Gérard de Lairesse previously published in Govard Bidloo’s Anatomia humani corporis (Amsterdam, 1685), which caused a vitriolic exchange between the two anatomists after Bidloo accused Cowper of plagiarism.[3]

What makes the Melbourne copy of Cowper’s Anatomy particularly interesting are the copious notes written between 1724 and 1740 by an English apothecary, who compiled a combination pharmacopeia and prescription book on the blank versos of sixty-two plates.

The notes refer to treatments for thirty-four diseases or groups of diseases, such as rheumatism, asthma, dysentery, pulmonary tuberculosis, and cancer. In her 2008 study of the book, Dorothea Rowse (Honorary Fellow of the School of Historical and Philosophical Studies and former Sciences Librarian) described the notes as consisting of ‘a comprehensive list of available remedies, evidence of remedies that had been used for named patients, a guide to the physicians recommended for particular medical conditions … and a record of patients who had been treated for serious medical illnesses’.[4]

Notes on breast cancer (verso of plate 19).
Notes on breast cancer treatment (verso of plate 19).

The inclusion of named physicians and patients, some of whom were children, add a very real, very human element. Rowse counted fifteen physicians whose names appear in the notes, along with the names of ninety-three identifiable patients who lived in the vicinity of the village of Hambledon in the county of Hampshire.[5] Her research suggests the author of the notes was Edward Hale, an apothecary and barber surgeon, resident in Hambledon from 1720, whose son (also Edward) continued the practice.[6]

To make these notes available widely available to researchers, each page has been photographed and the images uploaded to Flickr:[7]

https://www.flickr.com/photos/uomspecialcollections/sets/72157647386329921/

Unfortunately, due to the book being rebound, some of the notes run into the inner margin. Anyone consulting the notes is welcome to contact Special Collections at special-collections@unimelb.edu.au for assistance.

Dorothea Rowse’s full account is available on-line as a PDF at the following URL:

 https://www.unimelb.edu.au/culturalcollections/research/collections3/rowse.pdf

 Anthony Tedeschi (Deputy Curator, Special Collections)


[1] The Melbourne copy of Browne’s Myographia nova is from the Chatsworth House library of William Cavendish, 1st Duke of Devonshire (1640–1707). The text was first published in 1681.

[2] Cowper’s The amatomy of humane bodies (London, 1698) purchased with funds from the estate of F. M. Meyer.

[3] Cowper mentioned neither Bidloo nor de Lairesse in his text. According to Cowper’s ODNB entry, Bidloo ‘published a complaint in 1700 addressed to the Royal Society accusing Cowper of plagiarism … which included copies of letters to Cowper, most of which had gone unanswered, correspondence with his publishers, and a list of errors. The Royal Society, with some discomfort, declined to adjudicate on the matter’.

[4] Dorothea Rowse, ‘The Hampshire Apothecary’s Book: An 18th Century Medical Manuscript in the Baillieu Library’. University of Melbourne Collections issue 3 (Dec. 2008), p. 13.

[5] Ibid, p. 15.

[6] Ibid, pp. 16-17.

[7] To view the original or larger-sized images, single click on the ‘Download this photo’ icon towards the lower right, then select ‘View all sizes’ (‘Large 2048’ file size option is recommended).


Days of the White King

Before novels such as Game of Thrones, extraordinary tales of kings and conquests could be illustrated from the pages of history. When Maximilian I ruled the Holy Roman Empire, Europe was made up of small principalities and kings strode about like pieces on a chess board playing out territorial wars. The cannons they trained on each other breathed dragon fire; aristocratic hostages were used for political bargaining, betrothals and betrayals were all part of their strategies for war and diplomatic games.

Emperor Maximilian I (1459–1519) of the house of Hapsburg was the King of the Germans and ruled the Holy Roman Empire, jointly with his father from around 1483 and alone from 1508 until his death. Maximilian’s days were marked by artillery fire: ‘at two years of age the infant Maximilian was shut up in Vienna besieged by his uncle. The first memories of the child thus cradled in the lap of war with cannon shots for lullabies, were of the hardships and perils of a soldier.’[1] He was a knight (of the Order of the Golden Fleece) and also an exceptional patron of the arts, an innovator who left an astounding body of printed works which tell us about his times.

One of these works is his saga Der Weisskunig (The White King), which is the allegorical name given to Maximilian the hero, and is an autobiographical epic. The work contains 251 illustrations by Hans Burkgmair and other notable German artists including Leonhard Beck. It is arranged in three parts: the history of Maximilian’s parents, Frederick III and Eleanor of Portugal; Maximilian’s birth and education; and the chronicle of his military campaigns. Other kings in the narrative are identified by colours or symbols. Owing to Maximilian’s death, The White King project which commenced in 1515 was not printed until 1775. Examples from the series may be found in the Baillieu Library Print Collection.

Print showing the Encampment of the White King before a battle
Encampment of the White King before a battle (1514-16); Hans Burgkmair, woodcut

The alliance of three kings against the King of Fish is a depiction of the League of Cambrai which was formed during the Italian wars. Here termed as the King with Three Crowns, is Pope Julius II, the Blue King (Louis XII), the Black King (Ferdinand II of Aragon) and the White King (Maximilian I) against the King of Fish who represents the republic of Venice.[2] The League of Cambrai, like many of the alliances made in Maximilian’s time, was based on interests that could dissolve or turn hostile at any moment. So that in The White King allies in one image may be at war in another.

Woodcut of Kings against the King of Fish
The Alliance of Three Kings against the King of Fish (1514-16); Leonard Beck, woodcut

Maximilian’s son and heir, Philip the Handsome would become the King of Castile through his marriage to Joanna of Castile. Philip’s unexpected death meant that it would be his son Charles V who would succeed Maximilian as the Holy Roman Emperor, and also rule the Spanish Empire. Philip and Joanna had six children and Maximilian arranged for an auspicious double marriage between two of them: Mary of Hapsburg to Louis II of Hungary and Ferdinand I to Anne of Bohemia and Hungary. This is encapsulated by the book written for him by Johannes Cuspinianus, Congress and meeting of Emperor Maximilian and the three kings of Hungary, Bohemia, Hungary and Poland in Vienna (1515) held in the Rare Book Collection.[3]

Woodcut of King Philip received at Castile and sworn to loyalty
King Philip received at Castile and sworn to loyalty (c. 1515); Leonard Beck, woodcut

Despite the scenes of military might in The White King, it was through marriage that Maximilian and his descendants created the most powerful alliances and conquests. His printed legacy ensures that the incredible stories about his deeds and his legend are remembered, and explain why Maximilian has also become known as the paper king.[4]

For more about Maximilian I and the University of Melbourne see ‘Mad Max and the Renaissance’ in Cultural Treasures Festival Papers 2012, University of Melbourne Library, 2014.

Kerrianne Stone (Special Collections Curatorial Assistant (Prints))


[1] Paul Van Dyke, Renascence portraits, New York: Charles Scribner’s Sons, 1905, p. 264.

[2]  Larry Silver, ‘Caesar Ludens: Emperor Maximilian I and the waning Middle Ages’ in Cultural Visions: Essays in the History of Culture, edited by Penny Schine Gold and Benjamin C. Sax, Amsterdam, 2000, p. 194.

[3] Congressus ac conventus Caesaris Max. et trium regum Hungariae Bohemiae, et Poloniae in Vienna Pannoniae mense Julio anno 1515 facti brevis description, Wien: J. Singrienius, 1515.

[4] See Larry Silver ‘The “Papier-Kaiser” Burgkmair, Augsburg and the image of the Emperor’ in Emperor Maximilian I and the age of Dürer, edited by Eva Michel and Maria Luise Sternath, Albertina, c. 2012.


Ritchie Donation

Daniel Ritchie, Reclining man with a book, his dog and sheep, Reference no. 1974.0084, Ritchie Family Collection, University of Melbourne Archives
Daniel Ritchie, Reclining man with a book, his dog and sheep, Reference no. 1974.0084, Ritchie Family Collection, University of Melbourne Archives

UMA wishes to announce the receipt of a philanthropic gift which will be used to make the Ritchie papers available for academic and public research. The Ritchie collection contains a rich source of documentation on the lives of this well-known Western District pastoralist family dating from the mid-19th century.

The collection contains records documenting the expansion of the business and personal fortunes of various family members. Notably it contains the Daniel Ritchie water colour collection and his diarised account of the slave trade in Africa and the West Indies. Other diaries include founder James Ritchie’s diary which provides the reader with a daily account of his travels through the Western District in 1841 as he looks for a location to set up his grazing business. Ritchie makes particular reference to the Blackwood forests – it is probably no co-incidence the now heritage listed family manor located near Penshurst is named after the forests he travelled through over 170 years ago.

Related links:

Dr Alex Millmow, Senior Lecturer in Economics, Federation University account of the Ritchie family history right up to the recent sale of Blackwood early in 2014 (Submission to the Scottish Symposium)

Melinda Barrie & Sophie Garrett, 2013, ‘A man, his dog and a diary: James Ritchie’s journey in the Western District, 1841, University of Melbourne Collections Magazine, Issue 12, June 2014, pp. 29-33.

1974.0084 Ritchie Family

 


The Gutenberg Bible on Exhibit in Melbourne

Next week sees the launch of the third annual Melbourne Rare Book Week (17 to 27 July). Bibliophiles from across Australasia and beyond will descend upon the city and enjoy an array of talks, demonstrations and exhibitions, ending with the Melbourne Rare Book Fair (25 to 27 July). Visitors to this year’s Rare Book Week will also be able to attend a range of events in the university’s biennial Cultural Treasures Festival (26 and 27 July).

The university will once again host the fair in Wilson Hall, but also add something very special to the 2014 Rare Book Week programme: A 10-day exhibition of the Gutenberg Bible.

 

Gutenberg Bible advert banner

 

The Bible, on loan courtesy of The University of Manchester’s John Rylands Library, will be displayed from 18 to 27 July in the Dulcie Hollyock Room located on the ground floor of the Baillieu Library.

Like all Rare Book Week events, the exhibition is free and open to the public. Viewing hours are 11.00am to 5.00pm daily. Bookings not required.

A series of floor talks connected with the exhibition are also taking place. Details and how to book can be found on the Gutenberg Bible exhibition and Cultural Treasures Festival webpages.

A selection of incunabula and later religious texts from Baillieu Special Collections is also on display on the ground floor of the library in support of the Gutenberg Bible exhibit.

Whether you are local to Melbourne or just visiting, a chance to see a copy of the first substantial book printed in the Western world is not to be missed!


An 18th-century French drawing in the Baillieu Library

The most recent issue of University of Melbourne Collections magazine includes a detailed contribution by Marguerite Brown (recent graduate, Master of Art Curatorship) on a red chalk drawing of Prometheus being attacked by an eagle from the Baillieu Library’s Print Collection.[1]

Image: Prometheus being attacked by an eagle

Previously attributed to the Italian engraver Francesco Bartolozzi (1727–1815), Marguerite’s research has overturned this assessment in favour of the French sculptor René-Michel Slodtz (1705–1764). Her full analysis can be read on Marguerite’s blog Visual Pursuits:

http://visualpursuits.org/2014/06/25/an-18th-century-french-drawing-in-the-baillieu-library/

—-

[1] Marguerite Brown, ‘An 18th-century French drawing in the Baillieu Library’. University of Melbourne Collections, issue 14 (June 2014): 46–50.


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